Saturday, March 23, 2019

Us

Horror fans have been waiting years for a smart, relevant flick that can still scare the hell out of the audience. 

Welcome home, Us.

Us isn't a movie one can discuss in detail without giving away spoilers, but you've seen bits and pieces of Us in other movies. You watched Jack Torrance transform into something he may always have been in The Shining, and you know and appreciate Hitchcockian use of imagery to create suspense. You still squirm in your seat when you hear the Jaws theme.

And you know you and I both watched most of C.H.U.D. while peeking through our fingers.

Jordan Peele, who wrote and directed Us, channels Hitchcock, a lotta Kubrick, some Spielberg, and other modern horror gimmicks to set a tone and pace that well serves the movie. Investing heavily in those flavors pays off. Humor, defection, and imagery pulls the audience deeper into the action, and misdirects us away from the existential themes of the film. 

Until they don't anymore. 

And that makes for a satisfying ending to a complicated story about who we are as individuals and as a society. 


Saturday, March 09, 2019

Captain Marvel


I watched and listened
But never once in two hours
Did I hear "Shazam!"


Sunday, March 03, 2019

Behind The Curve

I pulled the sucker from my mouth and asked: "Is the earth really flat?"

I was a really young child, riding home with my Dad from someplace I've forgotten. It was late at night, and that moon . . . well, it just seemed to follow us in a way that I didn't think it should. As if it was pinned straight above us.

Much of the rest of the ride home was spent with me getting a lecture on angles, speed, and visual perception, and how those things create an illusion in how we see the moon.

So I continued to stare at the moon while I counted how many licks it takes to get to the center of my Tootsie-Pop.

Behind The Curve, currently in rotation on Netflix. brought back memories of several childhood mysteries; things that seem magical in a moment of consideration but can be explained in full by science.

Behind The Curve pokes a lot of holes in the domed earth conspiracy, but it gives Flat Earthers plenty of opportunity to mansplain their belief to viewers. Boiled down, it sounds something like "I used to think the idea of a flat earth was crazy but once I looked into it I realized I couldn't prove it's not."

Yeah, but, the fact the earth is a sphere has already been proven. Like, a bunch of times in a whole lotta ways.

Watching the flick reminded me of the Dunning-Kruger Effect, a psychological phenomenon in which bias occurs because people view their cognitive abilities as superior to others when, in reality, they aren't. These folks don't have awareness of their own cognitive limitations and, as a result, live out an illusion in which they believe their opinions are more accurate than are the opinions of others.

And that includes the opinions of legit scientists, who've theorized and then proved tons-o-stuff over and over and over again.

The Dunning-Kruger Effect. Sounds sorta like our world of social media too, eh?



Friday, March 01, 2019

Widows

It's easy to predict a heist flick that stars Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya, and Brian Tyree Henry would be filled with cinematic fireworks.

Nonstop action!

Complicated schemes and deep conspiracy!

Tons of testosterone!

And there is some of that in Widows. But the traditional fireworks are in the periphery; there to compliment the top shelf acting of lead Viola Davis and her supporting female cast.

Widows brings a fresh perspective to what otherwise might have been just a pretty good popcorn movie. And that fresh perspective is squarely the result of  director Steve McQueen's decision to tell the story from the viewpoint of characters who, traditionally, have been secondary players in a morality play.

McQueen's Widows is the best movie you didn't see in 2018. Catch it while you can.






Sunday, February 24, 2019

Roma


[¡Mirad! La pelĂ­cula perfecta!]


Monday, February 18, 2019

Glass

Meanwhile, back at the Batcave . . .












The Upside



More than thirty years ago I applied for a job supporting people diagnosed with autism.

Hell, I didn't know what "autism" was; this was the mid-80s, after all, a few years before "Rain Man." I was in the first years of college, and still pretty green. I heard the word "autism" once in a Child Development class, then remembered it when a woman from a local agency came on campus to recruit students to work for her upstart agency.

There were several reasons I applied for the job. My summer-time gig at Dairy Queen wasn't very satisfying, and the three majors I'd declared during my first two years of college (Speech Pathology, then English, and then Education -- yes, I was THAT student) weren't calling my name. I needed the cash, and I wanted to do something that helped people.

(That sounds like the CV of every human service professional I know.)

So, autism it was.

I met the person I was to support one Friday afternoon, just to become acquainted and help prepare him (and me) for my first shift on Monday. I went expecting to meet a disabled stereotype. Instead, I met a person who was genuinely kind, innocent, and interesting.

I was immediately hooked, and I've worked in the field every day since.

One of the reasons I was immediately hooked was the sudden jolt out of the paradigm with which I went to that meeting. I was told to expect one thing, and I discovered another. Curious, I wanted to hang around and learn more. One of the things I learned first was that the man I was hired to help instead helped me.

He helped me learn about who I am as a human being. He helped me learn to see the world from a new perspective. He helped me understand the joy that can come from selfless service. And most importantly, he taught me to view humanity from a humanistic perspective.

The friendship that is forged during The Upside is wonderful to watch, and the two leads use nuanced, subtle techniques to portray two people who are evolving into better human beings. It's the growth of Dell Scott, played masterfully by Kevin Hart, that's most enjoyable to watch. Scott entered into his caregiver job a selfish person, interested only in helping himself. At the end of the flick we see him understand that it's what we do for others that improves life quality.

The Upside is not just a feel-good movie. Cranston and Hart are worth the price of admission. And if you leave the cinema a better person, that's just gravy.

Sunday, February 03, 2019

Whatever Happened To . . . Tommy Okon. (40th Anniversary Re-Post)


It's hard to believe this commercial is 40 years old this year . . .

In the classic Coke ad  (click link to see the ad) from 1979, 9-year old Tommy Okon gives his hero, football legend Mean Joe Green, a bottle of Coca-Cola to help sooth Green's aches and pains. After chugging the soda, Green repays Okon by tossing the kid a game-worn jersey.

Anyone who ever drank a Coke from a glass bottle knows Green got the better of that deal! A tall, glass-bottled Coke in the 70s was --not "similar to," but "was"-- nectar from the gods.

According to sources on the internets, Okon quit acting shortly after auditioning for and losing the lead in the 1981 TV movie based on the ad, The Steeler And The Pittsburgh Kid. The sources report Okon now owns and operates a stone installation business in Queens, N.Y.

Oh, yeah: Rams in an upset, 27-14

Saturday, February 02, 2019

The One Where I Say Bill Maher Is Wrong About Comic Book Culture


In response to the outpouring of appreciation for Stan Lee from comic book fans soon after Lee's death in 2018, comedian Bill Maher wrote on his website an essay titled "Adulting," in which he suggested comic book culture is childish and stupid.

Later, on Larry King Now, Maher added: "A culture that thinks that comic books or comic book movies are profound meditation on the human condition is a dumb fucking culture."

I don't care much for Maher. Never did, really, even though he and I probably share similar world views on many topics. He works the clever-guy gimmick a little too hard for my taste, and that's off-putting. He mocks people who have different beliefs and lifestyles than does he, and his mockery is mean-spirited. He questions the intelligence of people based on their regional accent. He pokes fun at the discipline of people who are overweight. He mocks people for having religious faith.

I may understand and even agree with some of his viewpoints -- I'm an ardent atheist, after all -- but I wouldn't presume to think the answers I found work for me in my life can or even should apply to others.

He's an arrogant prick. So my initial response to Maher over his comic book hating was: "Fuck you." But, that didn't feel satisfying. Something continued to nag me about his comment for days after. 

That's because Maher's comments are specifically about me, and people like me. People who found the culture of comics to be an inviting, interesting, and educational space. Comics played a key role in shaping who I am. Here are some examples:

1. I grew up in West Virginia, which has a predominantly white population. Further, I lived my first 18 years in Nicholas County, WV, which had more than a 98% white demographic, and an even higher percentage of that identify as Christian. While there I rarely met or interacted with people different from me in culture or race.

I learned about racial diversity from comic books. Reading about Black Panther, Black Lightening, Tyroc (from the Legion of Super-Heroes), Falcon, Power Man, and more helped me understand aspects of black culture I could learn nowhere in real life. Many of those stories were about the challenges racial minority heroes faced fitting into a white majority society. My 10 year old self was paying attention.

I learned that from comic books.

2. I learned about social justice from comic books. Captain America fought Nazis and Jewish persecution. Early Superman comics -- and the hero was underpowered then compared to his modern day version -- was focused almost solely on fighting for the common man against greed. Green Arrow and Batman taught me that it's not the billions you have that makes you powerful, it's how you use your resources to improve your community.

I learned that from reading comic books.

3. Outside of public school teachers I knew no women who worked outside the home. Women in my family and their female friends worked hard to raise children and manage the home, but they didn't consider professional careers. And most saw themselves as being subservient to their husbands. It was the way things were then and there. It was obvious to me, even as a child.

Wonder Woman taught me that women can be equal to men in intelligence and determination, and that a woman can be a leader of both men and women. Female comic superheroes like Black Orchid, Vixen, Mary Marvel, Black Canary, Invisible Woman, and the Wasp taught me more about feminism than I would ever have learned about it from observing my surroundings. Women are strong.

I learned that from reading comic books.

4. I'll never forget the DC Comic storyline "Snowbirds Don't Fly," in which Green Arrow's sidekick Speedy fights a heroin addiction. I felt sorry for Speedy, but I felt more empathy for Green Arrow as he tried to help is friend recover. The storyline helped me see the effects of drug use on those who love the addict. I learned about inclusion from the pages of early X-Men. Their plight fit perfectly with the challenges of all minority types trying to fit into a majority society. I learned about teamwork from Justice League and Justice Society tales. And far-out realities in comics -- parallel universes and multiple worlds -- made me interested in, and caused me to read more about, science.

I learned those things from reading comic books.

5. Perhaps the thing I learned most from comics is that "with great power comes great responsibility." Spider-Man stories taught me that people with power, whatever that power or authority may be, should wield it judiciously and with thoughtful humility. Otherwise, you're just a bully picking on people who have less power than do you.

Bill Maher, who has great power based on an HBO show and millions of fans, should learn that from reading a comic book. 


Bohemian Rhapsody


Despite being a fan of Queen -- I mean, who isn't, right? -- I avoided the flick Bohemian Rhapsody for as long as I could before catching it earlier this week on Amazon Prime. I avoided it for the same reason I sometimes fast-forward to the rock portion of the hit song; that part where Brian May's guitar and the lyric "so you think you can love me and spit in my eye" give the song a full injection of sass and attitude.

Com'on, you've done that too, right? Skip to that part? I mean, the tragic opera set-up tells an awesome story. But after a while all the scaramouchies and fandangos, all the thunderbolts and lightning can be very very frightening to me.

Plus, the flick received so-so reviews outside Rami Malek's channeling of Freddie Mercury.

Oh man, was waiting a mistake. Bohemian Rhapsody is a wonderful film. What it lacks in presenting a true bio-pic (come on, naysayers, you can't expect a 134 minute movie to depict accurately a band's rise to legendary status) it more than makes up in exploring the tragic loneliness of Freddie Mercury.

And that's the real story, isn't it? The story we really want to watch and hear about?

I think most Queen fans will agree with me that no matter how much we loved Queen as a band -- the great songs, brilliant instrumentals, perfect harmonies -- it was Mercury's strut and attitude that pulled us into the fan club. And, as Bohemian Rhapsody points out well, there was something missing from Mercury's personal life that he found on stage. Finding it there allowed him to feel alive, and it transformed him into a Rock and Roll God.

I always find it ironic that the tragic lifestyle of an artist can inspire work so great that it makes millions of people happy. But that tragedy is the secret sauce of Queen.

And, it's what makes this movie really special.